#CAPTURE ONE PRO 12 BOOK SKIN#
#CAPTURE ONE PRO 12 BOOK TRIAL#
#CAPTURE ONE PRO 12 BOOK PROFESSIONAL#

#CAPTURE ONE PRO 12 BOOK PROFESSIONAL#

In this course, professional photographer and instructor Derrick Story helps you learn the basics quickly, then takes you deeper into the application to master its finer points.

Its key features include outstanding RAW processing, digital asset management, complete set of global editing tools, layers, localized adjustments, lens corrections, multiple export options, customizable workspaces, and much more. ThatвЂ™s it.MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 3 Hours 18M | 1.43 GBД¬apture One Pro is a complete digital management and editing application for professional photographers and serious enthusiasts.

Finally, I used the levels to give a slightly faded look to the final color grade. Next, I spent some time with the Color Balance tools pulling the shadows into the blues and highlights slightly into the orange. This also allows you to reduce the effect by opacity or simply turn it on or off quickly to give different looks.ДЇor this image, I decided to use Capture OneвЂ™s excellent film grain emulations to add some soft grain. To do this, you add a new fill layer and add your grading there. But for this tutorial, I added a color grade. I generally donвЂ™t color grade images heavily вЂ“ if at all.

#CAPTURE ONE PRO 12 BOOK TRIAL#

However, after some trial and error, it did an okay job. Again, editing like this shows the limitations of Capture One for high-end retouching. I ended up using a clone layer for one side of the hair and a heal layer for the other. But, I did manage to improve the hair significantly from the previous state. However, with a lot of trial and error, I produced something that was okay. Having worked on the heal and clone layers for basic spot removal, this was going to be something that I was unsure would work. Layers nine and ten: The HairДЄs the old saying goes in for a penny, in for a pound. Toning down the red top means it is not quite as powerful in the image. This layer has made a huge difference to our image.

#CAPTURE ONE PRO 12 BOOK SKIN#

We now have an even, soft skin tone through the image. You instantly see if the image is over done and you can dial back accordingly. My tipВ for this is to do the edit, then take a break for a couple of minutes and come back. As with much retouching, it is easy to go over the top. You then move onto the uniformity sliders to even out the skin tone through the whole face. The amount sliders are to get a skin tone that you are happy with. Next, you work with the twoВ sections of this tool,В Amount and Uniformity. To start, click the icon and sample a skin tone.

Editing skin tone is a great way to make your modelвЂ™s skin glow.В You can find this tool located in the Color Editor section. The ability to work with color so precisely is one of Capture OneвЂ™s greatest strengths. This on its own has a massive difference on the image, but when you add in the Color Editor tool, it takes this to another level. Simply adjust the sliders until you are happy with the result. It comes down to the image you are working on. Much more than this and it can become a little fake. I generally find the sweet spot for this technique to be between -60 to -70. Just go to the clarity section, choose Natural as the clarity type and slide the numbers into the negatives. It just makes the mask stand out more against the skin. After this, I go back in with the brush and erase tools until I am happy with the mask.В A little tip here is to change the mask color from the default of red whenВ working with people. I tend to use a number between 100-150 for most situations. You can then refine the mask to get it more accurate. Make sure you leave out areas of detail, such as the eyes and lips. The first step is to create a mask using a new layer and the Brush tool. It gives a great effect with such little effort. I use this tool all the time when editing wedding photography. The Skin Smoothing tool is a super-great way to improve skin with a simple mask and a couple of sliders. Yes, it works for simple items, but in the future, blemishes will be worked on in Photoshop only. It got to the point where I justВ gave up. Capture One isnвЂ™t effective for any serious blemish removal.В I tried this process out on another image to see if it fared better, but it was worse. I ended up using 3 layers merely to do basic spot removal (and this wasnвЂ™t even going as far as I would in Photoshop). Instead, you need to create a new layer and a new sample. You sample using the alt key (the same way as Photoshop) however, you cannot resample a different area on the same layer. Trying to do any amount of blemish retouching in Capture One soon tells you that it wasnвЂ™t designed for this task. The Luma mask Layer two (and three and four): Blemish Retouching Possibly my favourite tool in Capture One 12.

Capture one pro 12 book